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SENTIENT FREQUENCIES

Cinematic Sound Effects Library

Rich, haunting soundscapes

From roaring didgeridoos to whaling space cellos, with this soundpack we used extended techniques on a lot of instruments in stunning spaces to create cinematic sound effects.

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Sound effects in various channel configurations

Recorded in multiple channel formats to provide an extensive range of options for your projects.

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Eerie overtones and harmonics

Experience the devices we recorded

From dissonant drones to massive swells, “Sentient Frequencies” lets you experience the richness of performed instruments with sound fx in mind.
We performed, played, hit and rubbed these instruments with a carefully chosen collection of mallets, diverse superballs, bows, and custom devices.

Roaring didgeridoos
, whaling timpani’s – we performed in stunning spaces using extended techniques on a huge variety of selected instruments:

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1. Space Cello

A unique instrument. One bridge with two strings, which are attached via two springs to two drums, that act as the resonant body. And the springs are there for the reverb.
Beautiful and strange.

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2. Grand Piano

Playing the corpus of a grand piano with super balls will give you melancholic calling drones. Perfect for your whaling and melancholic moments.

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3. Huge Pipe Organ

A massive instrument with an awe-inspiring sound that can fill an entire cathedral with its deep, rumbling tones.
To record such an instrument in a studio environment was a unique experience.

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4. Concert Timpani’s and base drum

Large percussion instruments that can produce thunderous booms and rumbling lows.

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5. Hurdy Gurdy

A medieval instrument with a unique, haunting sound that can be used to create eerie and atmospheric textures.
The one we recorded is one of the biggest hurdy gurneys around. Played in the chapel it nearly sounded as massive as an organ, making your hackle rise.

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6. Didgeridoo

A traditional Australian instrument that produces deep, resonant drone sounds, ideal for creating earthy and organic soundscapes.

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7. Concert harp

A majestic instrument with a shimmering, angelic sound, although we tried more the dissonant and resonant side of it.

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8. Overtone Flute

A unique wind instrument capable of producing a range of harmonics and overtones, perfect for creating haunting melodies and atmospheric effects.

9. Double Bass

A large string instrument with a deep, rich sound, perfect for creating rumbling lows and low hits. (We did not manage to take a picture of it. You know how it looks, and we did not wanted to use a stock picture:-))

Haunting textures and hits

Four spectacular spaces

Like with its predecessor “Esoteric Metal”, the spaces we capture our recordings in are always crucial to us, and therefore we took a lot of effort to come up with 4 different and spectacular sounding spaces to offer you a maximum sonic diversity and richness in sound.

1. The recordings took place in an orchestral rehearsal room, which has a nice and clear but also wooden warm reverb.

2. Second, we went to a Small Chapel, which had a very long and very dense reverb. Absolutely mind blowing.

3. Third, we were in a special studio room which has an acoustic that is tailored to suite the installed pipe organ.

4. Last but not least, we went to one of the best studios in the benelux country, to get a classic studio recording room sound.

We used our wide spaced omni rig and pimped it even further to be 100% wind proofed. We used our wide spaced omni rig and pimped it even further to be 100% wind proofed.

We used our wide spaced omni rig and pimped it even further to be 100% wind proofed. We used our wide spaced omni rig and pimped it even further to be 100% wind proofed.

High-frequency mic setups

We recorded with 3 different mic setups and positions:

– In 7.0 Surround. 7 x Sennheiser MKH 8020. This setup was positioned quite distant to the sound source and will be a joy to use in wide cinema context.
LCR with 3(!) Sanken CO-100k, to get you the most high frequency action. They were positioned at medium distance to the sound source.
– 1 Schoeps MS (with XT body to extend the frequency range) positioned close to the sound source. The Harp was recorded with a Trance Audio Inducer Piezo mic.

We also include carefully crafted mix-downs for your convenience: 5.0 surround Mix-downs and Stereo Mix-downs of everything.

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Sentient Frequencies
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